Showing posts with label Tutormill. Show all posts
Showing posts with label Tutormill. Show all posts

Monday, April 11, 2011

Don’t Mind People Grinning in Your Face (Portrait of Jack White)


I started working on this piece for an assignment for my second Tutormill class, Realistic Portraits with Tim O’Brien and Nathan Fox. The illustration had to fit Rolling Stone’s format as a possible cover. The heart and soul of a lot of White's music comes out of the Mississippi Delta Blues tradition so I decided to show Jack as a Blues musician from the ‘30s.
The finished piece is gouache, graphite, ink and acrylic. I’m considering adding textures, grease spots and cracks digitally to create the illusion of an old photograph, but I’m still on the fence. Any feedback on this (or any aspect of the illustration) would be awesome.
In case you’re wondering, the title comes from the name of Jack White’s favorite song, a blues anthem written by Son House in the ‘30s. I think it suits the starkness of the portrait and Jack White’s independent attitude toward life.

Tuesday, January 11, 2011

Back to (online) school

Like many artists beginning their careers, I have taken a part time job. This helps pay the bills and prevents me from losing all ability to relate to the outside world.

Now that I have a part-time job, every moment for art creation become much more precious.

I’ve noticed that my productivity totally goes downhill when I don’t have a deadline. Personal deadlines don’t count for me; my inner disciplinarian voice is the same voice rationalizing why I stayed up reading instead of making art.

To raise productivity and sleep depravation, I am taking classes through Tutormill. Tutormill offers students the chance to take a class with two mentors of the student’s choice. All of these mentors are professional illustrators including Scott Bakal, Nathan Fox, Marcos Chin, Yuko Shimizu, Edel Rodrigez, Tim O’Brien, etc. My first class, The Power of the Idea, focused on improving illustration concepts (definitely one of my weaknesses). Scott and Yuko went above and beyond offering tons of great advice and feedback.

I chose the six-week format; it gives the student one week for thumbnails and an additional week for the final illustration. For the Power of the Idea the student is given a single word to illustrate. Some of them have restrictions of what imagery can appear in the final illustration to really push your creativity.

Assignment 1: Utopia

Assignment 2: Battle

Assignment 3: Peace (no doves, flowers, or hearts)

One of the biggest challenges was time management, hence the digital push but I'm happy with the work. I'd like to add more polish to these, especially the utopia and battle images, but I'm proud of how far I was able to push these.

I'm currently taking a portrait class on Tutormill that will be wrapping up soon so there will be more fun illustrations in the near future.